Who is lohengrin

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Two clicks install ». Quiz Are you a words master? Behind the crowd, four noblemen quietly express misgivings to each other because the Protector of Brabant has rescinded their privileges and is calling them to arms. Telramund appears, and, concealing himself from the crowd, draws these four knights aside and assures them that he will regain his position and stop the Knight, by accusing him of sorcery.

As Elsa and her attendants are about to enter the church, Ortrud rushes to the front of the procession and challenges Elsa to tell who her husband is, and to explain why anyone should follow him. The ensuing exchange is interrupted by the entrance of the King with the Knight. Elsa tells both of them that Ortrud was interrupting the ceremony. The Knight tells Ortrud to go back into the crowd, then takes Elsa to the wedding.

The King leads at the front of the couple. When they are about to go inside the church once more , Telramund enters. He pleads to the king that his defeat in combat was invalid because the Knight did not give his name trial by combat traditionally being open only to established citizens , then accuses the Knight of sorcery. The Knight refuses to reveal his identity and claims that only one person in the world has the right to know his origin — his beloved Elsa and no other person.

Elsa, though visibly shaken and uncertain, assures him of her confidence. King Henry refuses Telramund's questioning of the Knight, and the nobles of Brabant and Saxony praise and give respect to the Knight. Elsa, not seeing her beloved, falls back to the crowd where Ortrud and Telramund take her and try to intimidate her, but the Knight forces both to leave the ceremony.

The Knight consoles Elsa. Finally, the King, the Knight and Elsa, together with the men and women around, go forward. Elsa takes one last look at the banished Ortrud, then they enter the church. Act 3 Elsa and her new husband are ushered in with the well-known bridal chorus, and the couple express their love for each other.

Ortrud's words, however, are impressed upon Elsa, she laments that her name sounds so sweet in her husband's lips but she cannot utter his name, afterwards she asks him to confide on her his name to keep it secret, when no one is around, but at all instances he refuses, finally, despite his warnings, she asks her husband the fatal questions.

Before the Knight can answer, Telramund and his four recruits rush into the room in order to attack him. The knight defeats and kills Telramund. Then, he sorrowfully turns to Elsa and asks her to follow him to the king, to whom he will now reveal his mystery. Scene 2: On the banks of the Scheldt as in Act 1 The troops arrive equipped for war. Telramund's corpse is brought in, Elsa comes forward, then the Knight. He tells the King that Elsa has broken her promise and he discloses his identity by telling the story of the Holy Grail, on Monsalvat, and reveals himself as Lohengrin, Knight of the Holy Grail and son of King Parsifal sent to protect an unjustly accused woman.

The rules of the Holy Grail determine that Knights of the Grail must remain anonymous, retiring from all human sight if their identity is revealed; so the time for his return has come. As he sadly bids farewell to his beloved bride, the swan reappears.

Lohengrin tells Elsa that if she had maintained her oath, she could have recovered her lost brother, and gives her his sword, horn and ring, for he is to become the future leader of Brabant.

Wagner was wanted by the police for participating in the "May Days" of , and had to leave Dresden. The musician condemned to exile went to Zurich where he remained until In describing how Wagner conceived the whole of his ambitious artistic project, Thomas Mann writes: " There is no chronology of his operas: they are born at a certain date, but they are ready before the date all of a sudden ".

Each of his works is elaborated on a personal, musical and literary, artistic and theoretical, even political context. The literary style is deliberately archaic. Liszt wanted to make it easier by his comments an opera whose novelty had enough to disconcert the audience. In the presence of the artistic and intellectual elite of Dresden, Wagner gave a first reading of his text on November 17th, at the restaurant Engel.

Ferdinand Hiller and Robert Schumann are part of the audience. Everyone admires the poetic quality of Wagner's text, but Schumann doubts the possibility of putting it into music Anyway a first sketch of the work was born in , then another in Wagner adopted a new method of composition by designing his score as a whole and then reworking this or that part.

Abandoning a design in numbers or separate scenes, he took another step towards the musical drama. A "fade-in" connects organically every scenes to the others.

The use of "leitmotive" and "conductive patterns" becomes clearer. The final draft was completed on April 28th, The first written bars were those which accompany the Grail narration in the third act; the last are those of the Prelude which, with its mesmerizing sound's prolongation, immediately gives the climate of Lohengrin, made of a mixture of meditation and contemplation.

Wagner concentrates the action on a vocal quartet: Lohengrin is a lyric tenor with a timbre that must be clear and radiant. Liszt believed that in the farewell to the swan of Act 1, one must understand the " sweetness of the tenor timbre ", his " velvety ", his " softness.

Pure and intensely touching in her fragility, Elsa is a lyric soprano who must absolutely avoid the trap of a certain bitterness. Ortrud, the woman-demon, " who does not know love ," as Wagner says, is a mezzo-soprano or great dramatic soprano whose darkness of timbre must be accompanied by a strong dramatic temperament.

Telramund is the prototype of the Wagnerian baritono, with great projection and feverish phrasing. Lohengrin was created only two years later thanks to Liszt and in the absence of his composer, forbidden to stay on German territories. Wagner, the outlaw, has spared no effort to have his opera represented. For a long time he suffered from being unable to take care of the representations of his work, which pursued his life outside his control.

After a difficult reception "Lohengrin" aroused enthusiasm throughout Germany. The composer conducted excerpts in Berne before being able to attend a performance in Vienna in May He still had to wait until the order of his proscription was canceled. On September 12th, , in Frankfurt, Wagner coul finally direct "Lohengrin" himself. Wagner was interested in the legend of Lohengrin in the early s. Son of Parsifal, the Swan Knight appears in two medieval texts that captivated Wagner: an epic of the 12th century, " Wolfram von Eschenbach's Parzival ", and " Lohengrin ", the novel of one of his followers, Nouhuwius.